Bitter as the Cud

mimesis imitations

… dialogues (philos)

also the dialogues or

‘mounting’ to a climax

learn staging spectacle

tragedy imitates the

political man important

thing is the story. not

necessarily the character

plot is the imitating

principle for exam

the mis en scène can

excite emotion poetry

= creation history =

recreation e.g. an idea

of ideal tragedy

vicious people must not

be shown passing from

misfortune to good fortune

i.e. single rather than

double recognition

I that am dwarfish,

naught, and of ill favour

links with ch.17

a. incompleteness

of the poetics

c. a. hawley 26.7.62

                                                the poetics – aristotle